Important theatrical models were also supplied by the plan sex express Italian stage (including the pastoral ) and Italy was also an important source for theoretical discussions on theater, especially regarding decorum (see, for example, the debates on Sperone Speroni 's play Canace and Giovanni Battista Giraldi 's.
Theater at the beginning of the 17th century was dominated by the genres and dramatists of the previous generation; most influential in this respect was Robert Garnier.
The history of the public and critical reaction to Corneille's Le Cid may be found in other articles (he was criticized for his use of sources, his violation of good taste, and for other irregularities not conforming to Aristotian or Horacian rules but its impact.Valincourt's criticism is discussed on pages 267-9.Engravings show Louis XIV and the court seated outside before the Cour du marbre of Versailles, watching the performance of a play.The period also saw several novels with voyages and utopian descriptions of foreign cultures (in imitation of Cyrano de Bergerac, Thomas More and Francis Bacon Denis Vairasse - Histoire de Sévarambes (1677) Gabriel de Foigny - Les Avantures de Jacques Sadeur dans la découverte.Theatrical representations often encompassed several works; they began with a comic prologue, then a tragedy or tragicomedy, then a farce and finally a song.See, among other works: Bray, René.5 These aristocratic values began to be criticised in the mid-17th century; Blaise Pascal, for example, offered a ferocious analysis of the spectacle of power and François de La Rochefoucauld posited that no human acthowever generous it pretended to becould be considered disinterested.The term "classicism" is also linked to the visual arts and architecture of the period where it is also known as Style Louis XIV, most specifically to the construction of the Palace of Versailles (the crowning achievement of an official program of propaganda and regal.
The later 17th century would see Malherbe as the grandfather of poetic classicism.
The notion of glory (whether artistic or military) was not vanity or boastfulness or hubris, but rather a moral imperative for the aristocracy.Contents, society and literature in 17th-century France étudiantes les pièges de la prostitution edit, in Renaissance France, literature (in the broadest sense of the term) was largely the product of encyclopaedic humanism, and included works produced by an educated class of writers from religious and legal backgrounds.Unlike England, France placed no restrictions on women performing on stage; however, the career of actors of either sex was seen as morally wrong by the Catholic Church (actors were excommunicated ) and by the ascetic religious Jansenist movement.there are also many links to the theories of sociologist Marcel Mauss on the "gift".Well, this dream may come true if you visit the Mados libertine club in Paris.Denim Diaries, charcoal Jeans, inky-black denim is having a moment!